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与神对谈
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克里斯蒂娜·马斯特森,克里斯蒂娜·马斯特森,Michelle Cortés继女2024
安妮·伊隆泽,Judy Johnson,Blue Kimble,Cassidey Fralin,Neil Wachs尸咒
金允慧,宋以载,朴智勋,李相亚特蕾莎修女
劳米·拉佩斯,西尔维娅·侯克斯,尼古拉·里斯坦诺夫斯基,Ekin Corapci,Marijke Pinoy,拉宾娜·米特威斯卡灵语
是元介,吴可熙,郑人硕,杨丞琳,禾浩辰,石知田,丁宁,李国超同类精选
超时空辉夜姬！
夏吉优子,永濑安奈,早见沙织,入野自由,内田雄马,松冈祯丞,青山吉能,小原好美,菲鲁兹·蓝,花江夏树,钉宫理惠超级黑暗时代
欧文·坎贝尔,查理·塔汉,伊丽莎白·卡布奇诺,马克斯·塔利斯曼,索耶·巴斯,艾米·哈格里夫斯,安德亚·雷诺克斯,Ethan Botwick,Philip H. Ashley,Justin Rose,Kortnee Rumph,Samantha Jones,Anni Krueger,Jeffrey Alan Solomon,Carl Arcilesi伪装大师1：维多女人
陈启杰,高雨儿,张炜迅,夏星,张惠程,杨静,闫锐不良街区
张本煜,黄垲翔,刘扬,町田悠宇,粘土大介非请勿进2026
阿德莱恩·鲁道夫,弗兰切丝卡·雷阿莱,尼古拉斯·汉密尔顿,杰克·曼利,哈维尔·博泰特,劳伦斯·欧弗林,布伦南·凯尔·库克,凯·卡斯特,沙恩·保罗·麦吉杀木地
金惠奫,李钟元,金准韩,张多雅影视排行
致命录像带85
弗莱迪·罗德里格兹,詹姆斯·兰索恩,乔丹·贝尔菲,吉吉·索尔·格雷罗,丹妮·迪特,Chelsey Grant,Alex Galick,Justen Jones,马克·西普卡,Marcio Moreno,Anna Sundberg,Andrew Ghai,Chivonne Michelle,Tyler Noble,Gabriela Roel,弗洛伦西亚·里奥斯,Ari Gallegos,Felipe de Lara,Forrest Hartl,艾薇·拜尔在一部电视纪录片中，五个令人不寒而栗的故事浮出水面:科学家们观察到一个不寻常的男孩盯着电视看，孩子们开始了一场湖上划水冒险，一个电视摄制组在自然灾害中挣扎求生，早期的VR唤醒了一些可怕的东西，一个致命的梦被记录在录像带上。”20世纪80年代的邪恶秘密以一种你从未见过的方 式变得栩栩如生。
魔镜咒
Davina Karamoy,Ully Triani,Randy Nidji,Eduward Manalu,Beby Evelyn,Dian Sidik,Syifa Aulia恐怖和奇怪的事件困扰着玛雅和她家人的生活，她怀疑舅舅和舅妈是幕后黑手，因为他们一直想要获得玛雅家从外公那里继承的房子和土地。但是这种贪恋吸引了一股可怕的力量，这股力量的目标是玛雅全家。
百烛游戏2
Magui Bravi,Nacho Francavilla,Josefina FariñaA team of influencer bloggers decides to hold a ritual at the mansion of the "black countess". A fan of the supernatural, she disappeared without a trace after she was offered to play a game that was supposed to take her to another dimension. By evoking the spirit of the Countess, bloggers let otherworldly forces into the world. The one who can bring the demons back will survive.
好像一切都很糟糕
Melis Sevinç,Melisa Bostancıoğlu,İbrahim Arıcı,Mert Can SevimliAyşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster