恋しちゃったんやもん 草野綾写真
艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan
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剧情提要
艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan
暗夜精选
宇宙之门
迪安娜·罗素,尼尔·霍普金斯,托勒密·斯洛克姆,格雷琴·洛奇,基思·赫德森,娜塔莎·戈特,乔治娜·布莱克利奇,Michele Weaver,Clint Jung,Paul McCarthy-Boyington,Salvita Decorte,Shellye Broughton,Danielle Lewis,Phet Mahathongdy,Albert A. Vega末世家园
泰勒·霍奇林,凯特·波茨沃斯,水野索诺娅,兰斯·莱迪克,大卫·达斯马齐连,丹娜·格瑞尔,劳拉·凯洛蒂,兰斯·E·尼克尔斯,杰夫·蔡斯,布拉德·利兰,戴夫·戴维斯,大卫·詹森,托马斯·弗兰西斯·墨菲,迈克·P·纳尔逊,吉姆·格里森,戴恩·罗兹,Jacinte Blankenship,埃迪·马休斯,Mary Alice Risener,Nina Leon,Dillon Ahlf,阿尔·维森特,Jaren Mitchell,Oscar Gale,Steven Grossman,李·珀金斯,Deven MacNa迟来的愤怒
安东尼奥·德·拉·托雷,路易斯·卡叶赫,露丝·迪亚斯,劳尔·希门尼斯,曼诺罗·索洛,冯特·加西亚,皮拉尔·戈麦斯,艾丽西娅·鲁维奥,盖兹卡·阿达纳斯,马丁·卢纳,查尼·马丁,恩里克·德拉托雷,茵玛·桑乔,帕科·本杰梅亚,贝尔塔·埃尔南德斯猎魔行动
刘芳毓,肖聪,卢海华,那志东,侯勇,王丽云,于恒,马湘宜哈留恩佩与邪恶祭司
Peter Franzén,伊丽娜·别尔克伦德,Jenni Banerjee静水城
马特·达蒙,卡米尔·科坦,阿比盖尔·布雷斯林,利鲁·肖沃,狄安娜·杜纳甘,伊迪尔·阿祖格利,安娜·勒尼,茂萨·马斯克里,伊莎贝尔·塔纳克,奈德拉·阿亚迪,吉尔伯特·特拉尼亚,威廉·纳迪兰,沙扎德·拉蒂夫,米歇尔‧邦波,莎拉·布鲁克斯,埃里克·斯达克,罗伯特·皮特斯召唤蓝宝宝
瓦莱丽亚·圣马丁,贾斯蒂娜·塞瓦略斯,丹妮拉·弗洛姆鲍姆同系列推荐
北区侦缉队
吉尔·勒卢什,卡里姆·莱克路,弗朗索瓦·西维尔,阿黛尔·艾克萨勒霍布洛斯,肯扎·福特斯,Cyril Lecomte,迈克尔·阿比特波,伊迪尔·阿祖格利,Vincent Darmuzey,让-伊夫·贝特鲁,Kaïs Amsis,富埃·纳布拉,Abdellah Khoulalene,Haïdy Khalil,Adel Boutouil,安娜伊斯·法布尔,吉尔伯特·特拉尼亚,安东尼萨桑·杰苏萨桑僧侣
文森特·卡塞尔,黛博拉·弗朗索瓦,约瑟芬·约比,塞尔希·洛佩斯,凯瑟琳·蒙切特,乔迪·道德尔,杰拉丁·卓别林,罗珊妮·杜兰,Frédéric Noaille,Javivi,Martine Vandeville,Pierre-Félix Gravière,塞尔日·费拉德,恩斯特·吴默埃,Jean-Francois Vendroux,让-克洛德·杜芬光荣何价
大卫·卡拉丁,Ronny Cox,兰迪·奎德,梅林达·狄龙遇见世界
杉咲花,南琴奈,板垣李光人,苍井优,涩川清彦封神之双魂妲己
阴阳镜
淮文,邓靖弘 Jinghong Deng,江莱,张跃滨,曾广泉,司珂华,肖沅希,王军,李荣博幕后花絮
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
星际之旅:木星计划
Four astronauts have to stay 1000 days in a space station around Earth in order to prove that a trip to Europa, one of Jupiter's moon, is possible. The experience goes well until something happens on earth.