非礼夫人：人妻放射中
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剧情简介
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X--未知的元素
Dean Jagger,Edward Chapman,Leo McKern,Anthony NewleyBritish Army radiation drills at a remote Scottish base attract a subterranean, radioactive entity of unknown nature that vanishes, leaving two severely radiation-burned soldiers... and a "bottomless" crack in the earth. Others who meet the thing in the night suffer likewise, and with increasing severity; it seems to be able to "absorb" radiation from any source, growing bigger and bigger. What is it?? How do you destroy a thing that "feeds" on energy?
水与茴香
斯特法尼娅·桑德雷莉,西尔维娅·达米科,保罗·罗西,路易莎·德桑蒂斯,保罗·西奥尼,迭戈·法乔蒂,Giancarlo Previati,Vito奥林匹娅年过七旬依然沉湎于作为舞者与歌手的昔日荣光，在人生即将走到尽头之际，她决定与年轻姑娘玛利亚开启一趟回忆之旅。导演科拉多·塞隆的长片处女作，邀请到意大利国宝级女星、威尼斯电影节终身成就奖得主斯特法尼娅·桑德雷莉出演，她完美演绎了一位外在热情、内心深邃的魅力女性。影片在调侃与抒情、忧郁与欢乐之间，捕捉到两个年龄和性格差异巨大的女人最深刻有趣的一面。明亮的南欧风光与经典怀旧歌曲串烧重建了曾经的文化黄金时代，谱写出一首献给生命尊严的赞美诗。
自杀俱乐部2001
石桥凌 , 永濑正敏 , 宝生舞 , 佐藤珠绪 , 野村孝 , 罗利寺西 , Joshua , 辻冈正人 , Kôsuke Hamamoto , Kei Nagase , 嘉门洋子 , Maiko Mori , Sayako Hagiwara , 金子贵俊 , Mika Miyakawa夜色沉沉的东京新宿站，劳碌一天的人们依旧行色匆匆，仿佛从不知停歇的工蜂。然而却有一群正处在青春期的女孩绽放着无忧无虑的笑容。她们身穿着不同款式的校服，似乎早已约好一般同时来到这里，女孩们在月台前一字排开，手拉手齐齐跳向飞驰而来的列车。一时间血光四溅，54个鲜活的生命瞬间消失。 这一事件轰动全国，与此同时类似集体自杀的事件愈演愈烈，甚至连调查此案的警官黑田敏春（石橋凌 饰）及其家人也受到波及。黑田的搭档涉泽健次（永瀬正敏 饰）通过不懈的调查，发现一连串的自杀事件都和一个名为“自杀俱乐部”的网站有关。事件的真相究竟如何？惨剧最终能否终止？
墙头记之少儿篇
韩文庚,李继凯,王梦涵,王纪营,孙若馨,王光昊本片根据蟠龙梆子传统戏《墙头记》改编，由六位九至十岁的蟠龙梆子学员主演，以儿童视角讲述张木匠与两个儿子之间的故事，教育人们不要忘记父母的养育之恩，以孝为先。旨在传承发扬中华民族传统美德，弘扬戏曲文化。
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耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
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绫野刚,成田凌,岸井雪乃,石井杏奈,内野圣阳一位无家可归的失忆男子接受一场实验性医学手术，术后醒来发现自己获得新的能力，可以看穿人们内心最深处的伤痛，真实和幻象之间的界线也因而模糊难辨。
铁弓传奇
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