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王传君,江疏影,李雪琴,郑云龙,傅首尔,刘佳,王彩平,杜家毅,吴冕,白举纲,老四,田小洁,罗海琼,齐溪,许龄月,葵葵食人之饥
马克-安德烈·格隆丁,莫妮亚·肖克里,Charlotte St-Martin我的朝圣之路
克里斯·海伍德,Jennifer Cluff,Laura Lakshmi安身何处
比尔·萨奇,埃迪·法可,Tatiana Abracos,Aida Johaness,杰·托马斯,Jade Golden迟来的愤怒
安东尼奥·德·拉·托雷,路易斯·卡叶赫,露丝·迪亚斯,劳尔·希门尼斯,曼诺罗·索洛,冯特·加西亚,皮拉尔·戈麦斯,艾丽西娅·鲁维奥,盖兹卡·阿达纳斯,马丁·卢纳,查尼·马丁,恩里克·德拉托雷,茵玛·桑乔,帕科·本杰梅亚,贝尔塔·埃尔南德斯不信地狱
南相美,柳承龙犯罪现场调查完结篇:不朽
特德·丹森,乔雅·福克斯,艾瑞克·兹曼达,罗伯特·大卫·豪尔,华莱士·朗翰,大卫·伯曼,伊莉莎白·哈诺伊斯,乔·维尔内尔,威廉·彼德森,玛格·海根柏格,保罗·吉尔福伊尔,迈克尔·比奇,布瑞达·伍尔,凯蒂·史蒂文斯,Alexandra Barreto同系列推荐
恐怖列车
索拉·伯奇,吉迪恩·埃默里,卡凡·瑞斯,Derek Magyar,格罗瑞亚·沃特西斯,Todd Jensen,Vladimir Vladimirov库梅尔·南贾尼:夜间思绪
库梅尔·南贾尼瘦身男女
刘德华,郑秀文,王天林,林雪,黑川力矢,佐膝佳次劫途
莎蒂·卡茨,凯维·莱曼-默塞尤,奥吉·杜克,迈克·弗格森,迈克尔·帕尔,弗农·威尔斯,伊娃·哈密尔顿,兰迪·查奇,Dan Istrate,杰西卡·乌波拉佳 Jessica Uberuaga,David W. Bailey,Joe Barlam,Klaudia Kaye,Mario Daggett,Jon Castro,Michael Roccio,Markus Essien,Nick Goodreau,亚瑟·加贝求药
何一诺,刘平,李思韵,孛玺宇,胡轶凡,孙梓屹,徐丹,王成,冯丹观光路线
乔什·杜哈明,丹·福勒,米勒克尔·劳丽,Christie Burson,彼得·迈克尔·戈茨幕后花絮
检事霞夕子~无关系的死~
一名男子因猎枪走火而身亡,几乎所有的人都认为这是一起意外,只有一向风格强硬的检事霞夕子(泽口靖子 饰)倍感蹊跷。她执意深入调查,但是最终一无所获。与此同时,名叫安川初音(石野洋子 饰)的女子来到夕子老家的寺院上香,她此行的目的是悼念一个因被误解而意外死亡的男子。安川种种反常举动引起了夕子的注意,她旋即又对安川展开调查,却无意间发现这两起意外事件的关联。层层迷雾渐渐散尽,真相逐渐浮出水面…… 本片根据夏树静子的原著小说《路上の奇禍》改编,是3週連続 罪と女系列的第2部,另外两部分别为《破婚的条件》和《魔术的耳语》。
公寓2024
Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.