公公闻儿媳内裤气味的夜晚
女人和她的公公开始了新的生活，女人向她非常善良的公公敞开了心扉，很高兴成为新的家庭成艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan。但有一天，一切都在一瞬间发生了变化。她亲眼目睹公公偷偷溜进她的房间，觊觎她的内衣。然而，这个女人却无法破坏她辛苦建立的幸福家庭，她没有告诉任何人，也避开了这个地方，并与她保持着距离。有一天，她的祖母生病了，一家人都不在，她的公公也离开了。 -法律来探望她
即刻观影
剧情赏析
编辑推荐
第九区
沙尔托·科普雷,詹森·库伯,娜塔莉·博尔特,茜尔雯·斯特赖克,约翰·萨莫尔,威廉·艾伦·扬,尼克·布雷克,杰德·布罗菲,路易斯·米纳尔,瓦妮莎·海伍德,玛丽安·胡曼,维多利奥·莱奥纳迪,曼德拉·加杜卡,约翰·范·肖尔,斯特拉·斯廷坎普,戴维·詹姆斯,肯尼思·恩科西,蒂姆·戈登,莫尔内·埃拉斯姆斯,尤金·孔巴尼瓦,赫棱基维·马德拉拉,西雅邦加·拉德贝,梅尔特·西贝尔哈亨,安德勒·奥登达尔,尼克·伯莱尼,罗伯特·霍布斯1990年，一艘巨大的飞船出现在地球上空，人们惶恐不安，却又分外好奇。经过一段时间紧张的等待，外星飞船始终没有动静。人类终于小心翼翼靠近它，强行走进舱内，结果发现了不计其数的外星人。他们形容丑陋，宛如虾子，而且健康状况极差，虚弱无力。原来这是一群来自外星的难民，他们最终被地球人接纳，并隔离在南非约翰内斯堡的一片区域内生活，此地名为“第九区”。经过长达20年的繁衍，外星难民的数量扩张至180万之多，且和周边人类的矛盾冲突不断，越来越多的人类呼吁将“大虾”赶出地球。 MNU（列国同盟组织）经过磋商，决定将外星难民迁移到更为偏远的区域。MNU外星事务部门的特工威库斯（Sharlto Copley 饰）专门负责搬迁工作。威库斯在动员过程中傲慢随意，与当地居民冲突频频。最终，他为自己的行为付出代价，外星人的神秘流体将其感染，威库斯慢慢变成了外星人的模样……
疾患
杰西卡·罗德,约瑟夫·克罗斯,Julianna Layne艾莉深陷一种可怕的病症：她的记忆会周期性清零，连丈夫和女儿都无从辨认。每一次重启都让她坠入迷雾，只留下对陌生生活的零星片段，似曾相识，却无从拼凑。。。
幻想游戏
久本雅美,板野友美,田中幸太朗,仙石南早见真纪子是在大型建筑承包商就职的精英女强人。早见专注工作，目前单身，但她其实是“深夜寻找内衣”的网站背后神秘的女神。她把贴身衣物藏在街道，给提示让人们去寻找。有一天，早见遇见了在公园露宿的葵。葵是网站“向丈夫复仇”上的一名颇有影响力的博主。她趁丈夫在外工作，秘密向丈夫复仇。在现代网络文化之下面对复杂的事件，两个女人关系渐渐密切。
挑战未来
奥利弗·古鲁内尔,Tim Thomerson2027未来世界，恐怖主义弥漫全球，科技发达，使人类神经系统可用人工磁片来取代。机器人为达到蚕食人类的大阴谋，先了绑架国际间各国领袖，继而派遣机器人复制繁殖以取代世界统治者的霸权。洛杉矶警界的杰出人物「雨水艾力」（奥利佛·顾纳饰）察觉这项阴谋，他寻求各种行动以阻止机器人的野心，而艾力身上却已被植入百分之十三人工器官……
成人生活技能
朱迪·惠特克,爱德华·霍格,爱丽丝·洛维,布雷特·戈尔茨坦,Rachael Deering,洛琳·艾什本,伊莲恩·戴维斯Anna is stuck: she's approaching 30, living like a hermit in her mum's garden shed and wondering why the suffragettes ever bothered. She spends her days making videos using her thumbs as actors - thumbs that bicker about things like whether Yogi Bear is a moral or existential nihilist. But Anna doesn't show these videos to anyone and no one knows what they are for. A week before her birthday her Mum serves her an ultimatum - she needs to move out of the shed, get a haircut that doesn't put her gender in question and stop dressing like a homeless teenager. Naturally, Anna tells her Mum to "back the f-off". However, when her school friend comes to visit, Anna's self-imposed isolation becomes impossible to maintain. Soon she is entangled with a troubled eight year old boy obsessed with Westerns, and the local estate agent whose awkward interpersonal skills continually undermine his attempts to seduce her.
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.