裸体切割2003
弗兰妮（梅格·瑞恩 Meg Ryan饰）是一名内向保守的大学教师。她跟妹妹一起住在纽约曼哈顿一间破旧窄小的单身公寓里。可单调的生活加之枯燥无味的工作远不能填满她内心的寂寞。弗兰妮在为一本研究美国俚语的书搜集资料，正巧，她在酒吧的洗手间里无意间窥视到了一对正在口交的男女。这一幕深深的刻在了她的脑海中，尤其是这名男子手腕上的纹身。
剧情简介
弗兰妮（梅格·瑞恩 Meg Ryan饰）是一名内向保守的大学教师。她跟妹妹一起住在纽约曼哈顿一间破旧窄小的单身公寓里。可单调的生活加之枯燥无味的工作远不能填满她内心的寂寞。弗兰妮在为一本研究美国俚语的书搜集资料，正巧，她在酒吧的洗手间里无意间窥视到了一对正在口交的男女。这一幕深深的刻在了她的脑海中，尤其是这名男子手腕上的纹身。
为你推荐
驱魔人：信徒
琳达·布莱尔,艾伦·伯斯汀,詹妮弗·内特尔斯,小莱斯利·奥多姆, 奥利维亚·马库姆,安·唐德,莉娅·朱厄特,拉法埃尔·沙巴拉格,诺尔贝特·里奥·布茨,本·布莱顿,克洛伊·特埃考丝,E·J·博尼拉,莉兹·约翰斯顿,丹尼·麦卡锡,安东尼·科隆,诺拉·墨菲,奥奎·奥克波克瓦西里,埃米莉·雷切尔·戈登,塞莱斯特·奥利瓦,特蕾西·格雷夫斯自从他的爱妻12年前在海地大地震发生时不幸死于难产之后，维克多·菲尔汀（小莱斯利·奥多姆 Leslie Odom Jr. 饰）就一个人独自抚养他们的女儿安吉拉（莉娅·朱厄特 Lidya Jewett 饰）。 但是当安吉拉和她的好友凯瑟琳（奥利维亚·马库姆 Olivia Marcum 饰）在树林中消失不见，三天后却又突然回家，完全不记得自己发生了什么事情之后，就引发了一连串的诡异事件，迫使维克多不得不面对有邪恶力量作祟的可能性，于是他出于绝望和恐惧，就向唯一亲眼目睹这种事却仍然活着的人求助：克莉丝·麦尼尔（艾伦·伯斯汀 Ellen Burstyn 饰）。
无名之町
福山雅治,有村架纯,成田凌,生田绘梨花,木村昴,森永悠希,秋山宽贵,犬饲贵丈,冈崎纱绘,森崎温,丸山智己,滨田麻里,伊藤淳史,生濑胜久,仲村亨退休中学教师神尾英一被人杀害，即将于两个月后结婚的女儿神尾真世（有村架纯 饰）在得知父亲突然离世的消息后，返回了自己的家乡。然而，这座小镇自疫情蔓延以来，已失去了往日的活力，游客稀少，气氛沉寂。深受学生们爱戴的教师英一，究竟为何遭人杀害？渴望揭开真相的真世面前，出现 了一位神秘的男子——她的叔叔神尾武史（福山雅治 饰），一位曾在拉斯维加斯享誉盛名的前魔术师…… 本片改编自东野圭吾的同名小说，讲述了主人公以观察人类和诱导审问为武器，和侄女一起解决疑难事件的故事。
乌鸦2024
比尔·斯卡斯加德,小枝女孩,丹尼·赫斯顿,约瑟特·西蒙,劳拉·布林,塞米·鲍亚吉拉,卡雷尔·多布雷,乔丹·博尔格,锡巴斯琴·奥罗兹科,戴维·鲍尔斯,Trigga, 桑巴·戈尔丁,伊莎贝拉·魏,乔丹·哈吉,杜卡金·波德里马吉本片将更加忠实詹姆斯·奥·巴尔的同名漫画。讲述摇滚乐手埃里克·德雷文（比尔·斯卡斯加德 Bill Skarsgård 饰）和他的未婚妻雪莉（小枝女孩 FKA twigs 饰）被残忍杀害。一年后，埃里克从坟墓中苏醒，并进行复仇。复活后的埃里克拥有着超自然的力量，而他所到之处必定有乌鸦跟随。
采石场的圣母
Dolores Oliverio,Luisa Merelas,费尔南达·埃切瓦里亚·德尔·里韦罗,达迪·布列瓦,Agustín Dalmasio Sosa2001年阿根廷社会动荡的盛夏，布宜诺斯艾利斯郊区的三个少女闺蜜，都对发小迭戈暗藏情愫。迭戈与成熟女性西尔维娅相恋后，少女纳塔莉亚在祖母的帮助下，对二人施下黑魔法诅咒。失控的诅咒引发超自然灾难，将所有人拖入采石场湖的黑暗深渊，青春期的嫉妒与欲望，在南美社会的创伤背景下，演变成一场无法逆转的致命危机。
跟我○○○就能红
青山泰菜,竹田光稀,円谷优希,十代修介,富樫未来,佐藤仁,森岡里世,大地洋輔,八木将康,川濑阳太地方から上京してマンガ家を目指すヒロインが恋に仕事に奮闘する本作。原作は実体験をもとにした香穂のマンガ「俺とSEXすれば売れる」だ。エロい中年マンガ家や若いアシスタントに次々と手を出す中堅マンガ家など、危うい先輩たちに囲まれながら向上心を保ち邁進していく主人公・香穂をミスFLASH2022 セミファイナリストの青山泰菜が演じた。
守护者2025
塔提阿娜·玛斯拉尼,罗西弗·萨瑟兰,伯克特·图尔顿,艾琳·博伊斯,泰丝·登根斯坦,克莱尔·福莱森,克里斯汀·帕克,洛根·皮尔斯,艾拉·韦杰尔,格伦·戈登,伊芙琳·伯克,吉娜·武尔塔焦,艾琳·蒂普尔一对爱侣Liz和Malcolm去到一座偏僻的小屋度假，Malcolm却因意外先回城了，留下Liz独自一人，她很快发现这座小屋有着邪恶可怕的过去，如今缠上了自己。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.