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Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.
老么記者詩京潛入邪教團體取材。詩京被受邀參加特別的儀式,信徒們依序祈願並獻上祭品。接著終於輪到詩京了,這時她才驚覺祭品竟然是身體的一個部位,這令她衝擊不已。眼睛、鼻子、嘴巴……圍繞在身體各部位的6個故事,當集滿身體所有部位時,血淋淋的恐懼就會覺醒!
一位邪恶的马戏团老板在几位高中生的小镇上演“鬼屋”,他们必须抗拒他的魔咒。