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孤儿萨曼塔,和她的养父母以及妹妹奥利弗住在一起,但是他的养父并不喜欢她,老是责骂她。由于他们的家位于森林深处,所以回家必须经过森林,但是,他们不知道森林里有树怪,他们能诱捕儿童,然后把抓到的孩子困到他们的巢穴,然后再幻化成孩子的模样,回到他们的父母身边,所以数百年来,这片森林数百年来都有儿童走失的案例,不幸的是,由于萨曼塔的疏忽,让她的妹妹独自穿过森林,然后就被树怪掳走啦,接着就发生了一连串死亡事件,那么萨曼塔一家能够逃过一劫吗?
四名青少年在一次公路旅行中决定绕道而行,发现自己在肯塔基南部森林深处的鬼屋“万圣节尖叫公园”。在目睹了各种各样的折磨和gore之后,他们开始怀疑自己经历的事情是否有点太现实了。在他们知道之前,他们中的每一个人都被俘虏了,并成为他们原本认为可怕的乐趣和游戏的一部分…
Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.
天才物理学家程玄发明了时空穿梭戒指,借助这枚戒指,他穿梭到了多个时空,认为科技可以改变世界。一伙邪恶势力一直对程玄的时空穿梭戒指虎视眈眈,对方想尽方法兵派出了多人设计夺取时空戒指。于是,程玄不得不开始他的逃亡之旅...