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朱橘
朝代更迭、战乱四起，国家外临强敌、内遭瘟疫。流民孤儿顾小树与王爷世子李逸自幼相伴，情谊深厚。不料王爷突下追杀令，李逸迫于身份，只得暗中护送男主逃离城邦，并忍痛割席断交反目。男主在林中遭人伏击，幸得女箭客相救，同时有黑衣人透露其身世线索。为探寻真相，二人结伴踏上旅途，逐步揭开隐藏在追杀令背后的惊天仇恨与隐秘过往。
梵蒂冈录像带
杰曼·翰苏,凯瑟琳·罗伯特森,迈克尔·佩纳,多格雷·斯科特,迈克尔·帕尔,约翰·帕特里克·阿梅多利,丹尼尔·伯哈特,奥利维亚·泰勒·达德利,彼得·安德森,卡斯·安瓦尔,布鲁诺·冈恩,肯特·绍克内克,梅尔·法尔,Noemi Gonzalez,泰米娜·森尼安吉拉是27岁的普通女孩，生活平淡无奇。有天，她意外发现与自己亲近的人都死于非命。梵蒂冈教徒得知此事后，对安吉拉展开了一系列调查。可这次调查却引出了安吉拉背后古老的邪恶力量……
午夜的柳枝
梅根·福克斯,机关枪凯利,埃米尔·赫斯基,布鲁斯·威利斯,卢卡斯·哈斯,凯特琳·卡迈克尔,奥利弗·伊莉丝·阿伯克隆比,丽迪雅·赫尔,杰基·克鲁兹,泰勒·乔恩·奥尔森,斯温·特梅尔,希斯蒂妮·史泰龙,迈克尔·比奇,多诺万·W·卡特,奥马尔·克鲁兹·索托,大卫·希尔,让·皮埃尔·普拉茨,小戴维·M·桑多瓦尔,Jason Trawick,Welker White,Alec Monopoly,Sergio Rizzuto,Nick Koskoff,Katalina Viteri一名联邦调查局特工和佛罗里达州官员联手调查一系列未侦破的谋杀案。
探子阿坚：无头奇案
玉叶,国辉故事发生在大约200年前的越南阮朝，探子阿坚受某村庄的邀请，前来调查神秘失踪的案子....
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
无处释放我
杰瑞米·艾伦·怀特,杰瑞米·斯特朗,保罗·沃尔特·豪泽,斯蒂芬·格拉汉姆,奥黛莎·杨,马克·马龙,盖比·霍夫曼,大卫·克朗姆霍茨,格蕾丝·古默,哈里森·吉尔伯特森,约翰尼·坎尼扎罗,琳恩·A·弗里德曼,斯蒂芬·辛格,伊万·阿马罗·布隆,莎拉·斯洛博达,克里斯托弗·杰伊姆斯,格雷格·普朗科,克雷格·杰拉蒂,阿拉贝拉·奥利维娅·克拉克,洛蕾娜·奥斯塔影片聚焦布鲁斯·斯普林斯汀打造1982年的著名专辑《Nebraska》时期，作为年轻音乐人的他努力应对成功的压力，和令人困扰的过往。