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银色星球
安德烈·瑟韦林,杰吉·特雷拉,格拉齐娜·迪拉格,瓦尔德马·科纳克基,伊沃娜·别尔斯卡,耶日·格拉莱克,埃尔兹别塔·卡尔科什卡,克里斯提娜·杨达,马切伊·古拉伊,亨里克·塔拉尔,莱谢克·德卢戈什,让·弗里兹,亨里克·比斯塔,维斯瓦夫·科马萨,耶日·戈林斯基改编自叔叔杰西·祖拉斯基(Jerzy Zulawski)的科幻小说杰作《月球三部曲》，故事描述人类逃离毁灭的地球，飞船坠落在银色星球上，不久后有人开始在星球上进行造神运动，然信徒分化后一派奉此外来政权为神，另一派则视之为魔，人性贪婪的劣根性，在这星球上暴露的一览无遗…… 本片被誉为是“一部拍给另一个世界的人看的电影”。影评人一致推崇这部片是导演安德烈·祖拉斯基电影生涯中，最具史观、野心勃勃且兼具后现代主义的科幻哲思电影，也是他重回故乡波兰拍摄的归乡代表作。 这部充满争议的杰作，安德烈以非常风格化又带着原始情欲的方式，传达其所钟爱的命题：一则后现代主义式的寓言。故事的结局，地球人不但改变原本的内在，连外在也慢慢变成介于人与鸟的中间物种。这种由内而外，进而转化成另一物种的隐喻，也为这部犹如政治寓言的科幻史诗，更添加了奇幻色彩。 1977年当影片拍好八成时，新上任的波兰文化助理大臣禁止此片拍摄，并下令销毁场景、布置和服装，直到1986年波兰民主化，本片才跟着其它禁片出土。本片同时也发掘了戛纳影后克里斯提娜·杨达的潜能，拍摄这部处女作不久，她成为基耶斯洛夫斯基及瓦伊达最喜爱的女演员，也成为波兰的国民影后。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
夺宝生死战
Grant Show,Vivian Wu,Steve Bacic到2068年，地球上的臭氧消失了，因此，猛烈的、无法控制的风暴正在夷平它的表面。一小群军事幸存者是人类的最后的捍卫者,当队长约翰庭院是找到一份工作前战友拉皮埃尔,他现在是受雇于帝国,一个eco-profiteer,为了拯救他的父亲和其他几位幸存者中庭同意。他和一小群雇佣兵要闯入几乎不可渗透的文森特遗产和找回无价的“艺术”，储存在那里的启示之前。但是有一种致命的电脑控制的防御系统叫做“加密”，他们必须绕过它，还有一个杀手机器人叫做Rook &类似人类的全息安全主管Diana，她掌握着地球完全毁灭的钥匙——或者说是完全的拯救。
狄仁杰之彼岸奇花
陈浩民,尚娜,刘金,金宁,崔冬辰,陈宇星,刘威州狄武周天授元年，岭南潞州城司马孔成业迷恋修道炼丹，传闻找到了长生不老丹的药方，只缺一味名叫彼岸花的奇草。传言这是来自地狱的死亡之花，常年生长在坟冢幽谷之中，能致人产生幻觉，中幻觉者如妖邪附体般，发狂发癫，死状凄惨。 孔成业发出悬赏，采到彼岸花者，赏百金。山民猎户等纷纷进山寻找，连孔成业也带人到处扒坟冢、探幽谷。忙活的孔成业突然惨死，死前发狂。连他的几名参军也死相极惨，都说孔成业采到了彼岸花，被妖邪附身杀死，闹得满城风雨。潞州刺史陆英杰上报朝廷，恰逢狄仁杰巡查岭南诸州，女皇武则天命其前往潞州，全权调查此案.。
室友2026
莎蒂·桑德勒,克洛伊·伊斯特,比利·布莱克,莎拉·谢尔曼,艾丹·朗福德,贝拉·墨菲,贾雅·哈珀,斯托姆·瑞德,艾薇·沃尔克,娜塔莎·雷昂,尼克·克罗尔,马丁·赫利希,亚当·桑德勒,Annalise Mishler,亚历山德拉·西尔,Seth Fuentes,亚历山大·詹姆森,索菲娅·冈萨雷斯,Rebecca Lynn Goldfarb,苔丝·奥贝尔,Jonathan Auguste,艾比·万·李,本·海涅曼,邦妮·罗斯一个目光明亮的新生决定和一个受欢迎的学生住在一起，这导致了一段令人兴奋的新友谊，但逐渐演变成一场微妙的意志之战。
国王理查德
威尔·史密斯,黛米·辛格顿,萨尼雅·西德尼,安洁纽·艾莉丝-泰勒,乔·博恩瑟,托尼·戈德温,米凯拉·拉沙·巴塞洛缪,达尼埃莱·劳森,莱拉·克劳福德,埃里卡·林格,诺亚·比恩,克雷格·泰特,乔赛亚·克罗斯 ,小卡尔文·克劳塞尔,沃恩·W·希伯伦,小吉米·沃克,凯文·杜恩,布拉德·格林奎斯特,布兰顿·莫拉莱斯,爱丽珂谢弗,安迪·比恩,朱迪思•查普曼,切特·格里索姆,乔纳森·贝莱,卡特里娜·贝恩,里奇·索莫,艾琳·库明斯,汤姆·德格南,弗吉尼亚·施奈德,瓦莱丽·戴维森,汉娜·巴尔福特,梅尔·法尔,玛丽·帕斯科,该片剧本排2018年好莱坞“剧本黑名单”第二，讲述理查德·威廉姆斯的真实故事，这位精明务实、不屈不挠、没有任何网球背景的父亲培养 出了两个网球天才，她们后来成了超级巨星——维纳斯·威廉姆斯和塞雷娜·威廉姆斯(大威小威)。理查德·威廉姆斯为女儿们的职业网球生涯起草了一份78页的计划，女孩们在康普顿破旧、杂草丛生的公共球场上学会了这项运动。据报道，在那之前，她们的父亲与一些不喜欢这项运动、不肯让位的年轻硬汉发生了争执。威廉姆斯姐妹后来成为了网球史上最伟大的女选手之二。