赤裸裸
十七岁的玛莎(Katerina Tsavalou 饰)是混迹于雅典底层的一个妓女,按照老板发放的不同标签接客赚艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan。新来的十六岁女孩纳迪亚性格狂野,老板总是对她格外关照,很快纳迪亚得到了最高的标签价位,并与玛莎逐渐熟识。玛莎在整日吸毒堕落的混乱生活里毫无指望听天由命,而纳迪亚却野心勃勃。阿吉里斯是新来的男妓,纳迪亚很快和他混在一起。玛莎目睹这一切后意识到自己的真正所需,和另外一名男妓米尔托斯混在了一起。纳迪亚总是挑动着玛莎的情绪,两人的关系暧昧而紧密。某天老板安排玛莎和纳迪亚参加一个性游戏派对,可两人却搞砸了聚会。两人被老板训斥后纳迪亚心有不甘,和阿吉利斯、米尔托斯枪杀了老板……
剧情简介
十七岁的玛莎(Katerina Tsavalou 饰)是混迹于雅典底层的一个妓女,按照老板发放的不同标签接客赚艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan。新来的十六岁女孩纳迪亚性格狂野,老板总是对她格外关照,很快纳迪亚得到了最高的标签价位,并与玛莎逐渐熟识。玛莎在整日吸毒堕落的混乱生活里毫无指望听天由命,而纳迪亚却野心勃勃。阿吉里斯是新来的男妓,纳迪亚很快和他混在一起。玛莎目睹这一切后意识到自己的真正所需,和另外一名男妓米尔托斯混在了一起。纳迪亚总是挑动着玛莎的情绪,两人的关系暧昧而紧密。某天老板安排玛莎和纳迪亚参加一个性游戏派对,可两人却搞砸了聚会。两人被老板训斥后纳迪亚心有不甘,和阿吉利斯、米尔托斯枪杀了老板……
为你推荐
家族秘密2025
金惠恩,金范来,金宝仑随着妍静突然宣布重返职场, 她们发现自己离家的时间明显增多。 之前一直疏远她心爱的钢琴的米娜, 开始回避家人。 之前一直回避运动的镇秀,突然每个假期都离家去锻炼。 随着秘密越积越多,沟通也变得支离破碎, 三人变得疏远却又亲近。 然后,有一天,一次偶然的相遇, 将妍静、米娜和镇秀的秘密串联了起来…… 嘘!当你打开这扇秘密之门, 一个非常特别(?)的家庭故事就此展开!
阿坎达2
巴拉克利须那,哈莎莉·马洛特拉,Samyuktha Menon一段温馨的旅程探索了儿童的纯真、自然世界和精神信仰之间的联系,因为社区正在努力取得进步。 بۇ كىنودا كىشىلەرنىڭ ئۈمىدى نابۇت بولغاندا ئاكاندا پەيدا بولىدۇ، ئۇ ئائىلىسىدىكىلەر ۋە ئەتراپىدىكىلەرنى قۇتقۇزۇپلا قالماي، يەنە قارا نىيەتلەرنى يوقاتقاندىن كېيىن يوشۇرۇن تۇرمۇش كەچۈرىدۇ. ئۇزۇن يىللاردىن كېيىن، دۇنيا يەنە بىر قېتىم خەۋپ ئىچىدە قالىدۇ، بۇ قېتىم ئاكاندا پۈتۈن كۈچىنى كۆرسەتمىسە بولمايتتى... ئاكاندا يەنە بىر قېتىم كىشىلەرنى قۇتقۇزۇپ قالالامدۇ؟ ئۇ بۇ قېتىم قانداق خەۋپكە دۇچ كېلىدۇ؟
蜗牛篮球队
轮椅篮球经常与残疾人运动联系在一起。然而,轮椅篮球是一项适合残疾人和非残疾人的运动。受20世纪90年代被称为“球场上的狐狸”的国家队教练李元宇及其门徒教练韩萨炫对轮椅篮球的奉献精神的启发,这部真人动作运动故事讲述了一位中年篮球明星,一位傲慢的篮球天才,以及因事故而拥有圆形钢腿的男子。他们一起通过轮椅篮球团结起来,追求自己的梦想。
合唱团2025
拉尔夫·费因斯,罗杰·阿拉姆,西蒙·拉塞尔·比尔,阿玛拉·奥凯雷克,托马斯·豪斯,艾米莉·费尔恩,雅各布·杜德曼,Taylor Uttley,内森·霍尔,鲁本·班布里奇,Ellie Sager1916年,第一次世界大战在西线激烈进行,约克郡拉姆斯登的合唱协会失去了大部分男性成员,他们都应征入伍了。雄心勃勃的委员会决心继续前行,决定招募本地的年轻男性来填补队伍空缺。同时,他们还必须聘请一位新的合唱指挥,最有希望的人选是亨利·格思里博士(拉尔夫·费因斯 饰)——一个意志坚定、毫不妥协、刚从德国音乐生涯归来的男人。随着征兵通知陆续送达,全社区的人逐渐意识到,在战争摧毁一切的混乱中,最有力的回应就是:一起奏响音乐。
裂口女
佐藤江梨子,加藤晴彦,水野美纪,川合千春20世纪70年代,在日本中小学生中间流传着这样一个恐怖的传说:放学独自走到公园附近时,会遇到一个带着白色口罩、穿红色风衣的女人。遇到路过者,她会摘下口罩,露出裂到耳朵的恐怖大嘴,问对方“我漂亮吗?”如回答不漂亮,她会将对方毁容;若回答漂亮,她就将对方变得和自己一样;如果逃跑,她会以极快的速度追上。这个女人的名字就叫:裂口女。 各学校一时间人心惶惶,男女学生们都怕碰到这个可怕的女人,而大人们却对这个谣言嗤之以鼻。但随着一场不详的地震发生,裂口女终于到来……
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
马尔切洛·埃尔南德斯:美国男孩
马尔切洛·埃尔南德斯Marcello Hernandez: American Boy. Only on Netflix January 7.